长久以来，西奥（约根·沃格尔 Jürgen Vogel 饰）都饱受着生理上的折磨，对于性无限制的渴求甚至让他犯下了严重的罪行，当这种渴求到达了病态的程度后，西奥被送往了一家精神病院接受治疗。九年后，从医院里走出来的西奥俨然成为了一个“正常人”，但内心的痛苦和无法摆脱的过去依旧折磨着这个可怜的男人。 　　医院里的治疗让西奥变成了一个没有欲望的人，而就在这时，女孩奈特西（莎宾·蒂莫提欧 Sabine Timoteo 饰）出现在了他的身边。奈特西的身世十分复杂，两个饱经风霜的人渐渐走到了一起。然而，对于两人来说，家庭生活是一个极大的考验，当一切卷土重来时，他们还能够坚持自己的感情吗？

在一个近未来的私人监狱里，四个囚犯以一种特殊的俄罗斯轮盘赌方式来决定谁能获得自由，结果却大跌眼镜......

在一个近未来的私人监狱里，四个囚犯以一种特殊的俄罗斯轮盘赌方式来决定谁能获得自由，结果却大跌眼镜......

本剧以三山市的失踪断指案展开，围绕着杨伟对茉莉的虐恋；强子、王琦以及吴彬之间的三角关系；女大学生的裸贷疑云；面对无处不在的第三只眼，他们能否逃脱法律的制裁？而面对爱情、仇恨、欲望、金钱的他们，又能否逃脱命运的安排？本剧三个故事环环相扣，逐步展开，而真相究竟又是什么呢...？

本剧以三山市的失踪断指案展开，围绕着杨伟对茉莉的虐恋；强子、王琦以及吴彬之间的三角关系；女大学生的裸贷疑云；面对无处不在的第三只眼，他们能否逃脱法律的制裁？而面对爱情、仇恨、欲望、金钱的他们，又能否逃脱命运的安排？本剧三个故事环环相扣，逐步展开，而真相究竟又是什么呢...？

When retired East End villain Charlie Archer is murdered by a feral street gang, his brother Ritchie returns to London from Spain to investigate. With the police investigation drawing blank after blank, Ritchie decides to take the law into his own hands and bring his old school justice back to the streets of East London. Rounding up his old firm, he leads a vigilante crusade against the vicious young criminals, using every grizzly method at his disposal to find and punish his brother s killers. They're outgunned and outnumbered, but this firm has never been outclassed yet.

When retired East End villain Charlie Archer is murdered by a feral street gang, his brother Ritchie returns to London from Spain to investigate. With the police investigation drawing blank after blank, Ritchie decides to take the law into his own hands and bring his old school justice back to the streets of East London. Rounding up his old firm, he leads a vigilante crusade against the vicious young criminals, using every grizzly method at his disposal to find and punish his brother s killers. They're outgunned and outnumbered, but this firm has never been outclassed yet.

At the beginning of the movie a pharmacist receives an anonymous letter that threatens him of death. And the murder actually happens. Seems very simple but nothing is what it seems and the journey to the truth will be long and difficult. The book is excellent and the movie is at par with it and very faithful to the romance. Great direction. Incredible cast with Gabriele Ferzetti in his best interpretation together with the one in "C'era una volta il West" and Gianmaria Volonté simply beyond reach as always. Many other great actors. Yes I am an enthusiast 'cause there's not a word or a shot out of place in this movie and the plot is ingenious. Who is going to see this film for the first time will be taken away by the developments (the pace seems to be calm but looking in between the kinks you may realize that many things are going rapidly on). Trying to figure out what is the kernel of the happenings and the "reasons" for the murder is a very interesting exercise but it's highly unlikely for the spectator not to experience a big surprise at the end. In my opinion Elio Petri at his best (I mean at the same level of his other masterwork: La classe operaia va in Paradiso).

At the beginning of the movie a pharmacist receives an anonymous letter that threatens him of death. And the murder actually happens. Seems very simple but nothing is what it seems and the journey to the truth will be long and difficult. The book is excellent and the movie is at par with it and very faithful to the romance. Great direction. Incredible cast with Gabriele Ferzetti in his best interpretation together with the one in "C'era una volta il West" and Gianmaria Volonté simply beyond reach as always. Many other great actors. Yes I am an enthusiast 'cause there's not a word or a shot out of place in this movie and the plot is ingenious. Who is going to see this film for the first time will be taken away by the developments (the pace seems to be calm but looking in between the kinks you may realize that many things are going rapidly on). Trying to figure out what is the kernel of the happenings and the "reasons" for the murder is a very interesting exercise but it's highly unlikely for the spectator not to experience a big surprise at the end. In my opinion Elio Petri at his best (I mean at the same level of his other masterwork: La classe operaia va in Paradiso).

Films playing with the integrated use of Artificial Intelligence are beginning to proliferate and in this short film we navigate through a world of images created in this way, but also through conversations with a chatbot that reveals all the tendencies and prejudices of human beings. 　　Artificial intelligence is not something new, but in recent years there has been a dominance of the subject in culture that has been impossible to deny or avoid. Society is permeable, and should be, to new technologies, but it is inevitable that we talk about what is lost with their introduction. AI, like many other technologies before it, replaces human resources, but in this case it also replaces psychological and emotional resources. This is where Replika comes in, a chatbot where we can create romantic or friendly relationships with an artificial intelligence. Our Replika won’t criticize us; on the contrary, it will comfort us in any moment of emotional turmoil. Humanized by some, mistreated by others, Inès Sieulle’s film uses Replika not to talk about the machine’s dominance over human beings, but rather to hold up a mirror to humanity itself. (Rui Mendes)